JFT Gallery Visitor Policy


*Last Updated: September 1, 2022

Hiroshige’s “Edo Hyaku”: Perspectives of Landscape Ukiyo-e Prints in Portrait Layout
With originals from the Royal Ontario Museum


Our gallery exhibition’s opening hours are 11:30 AM – 4:30 PM (ET) on Tuesdays, Thursdays and on select Saturdays.

We strongly encourage all patrons to book a visit prior to arrival. Depending on how busy the space becomes, entry may be limited at the discretion of the staff. We take the health and safety of our patrons and staff very seriously. We are working to ensure a safe reopening according to public health guidelines. Visitors are no longer required to show vaccination status to visit our gallery.

Please wear facial covering at all times while you are on the premises. Hand sanitizers and disposable face masks will be available for your convenience.
Please check the weekly newsletter and our social media for details of upcoming events. Thank you very much for your cooperation. We hope to see you soon.


What to expect when you visit the Gallery

  • In order to manage the flow and capacity of visitors, we recommend all visitors to make a booking prior to visiting
  • All visitors are required to wear a mask or facial covering inside the building:
      • Visitors exempt from wearing masks for medical reasons may be asked to stagger their entrance time and/or wait for other patrons to exit. In these instances, please follow the directions of JFT staff.
  • Please use hand sanitizer provided at the entrance
  • Please keep a safe space (2 metres) between yourself, other guests and staff
  • In order to prevent the spread of COVID-19, we may decline entry to those who are non-compliant with the regulations listed above.
  • For the purpose of contact tracing, your record of visiting may be released to Public Health Authorities 

Hiroshige’s “Edo Hyaku”: perspectives of Landscape Ukiyo Prints
With originals from the Royal Ontario Museum

Edo Hyaku”, One Hundred Famous Views of Edo 名所江戸百景 (Meisho Edo Hyakkei) is a series of over one hundred woodblock prints designed by Hiroshige (1797–1858) , which began to be published in 1856 and was completed in 1859 after Hiroshige’s death. 

In order to cover the huge amount of works in this series, we have been having a geological lineup in our 2019 exhibition, then we focused on the theme of cherry blossoms in October 2021 – April 2022. For this third Edo Hyaku period, starting in the fall of 2022, we are concentrating on the theme of Boats and Bridges, which will be followed by our final period of Edo Hyaku: Residents and City Streets in New Year 2023.

For these upcoming two periods we are welcoming original pieces of the Edo Hundred series from the Royal Ontario Museum. This set of Edo Hyaku prints arrived for public attention relatively recently in 2002, and was re-discovered as an album or a form of folded book bound by pasting prints together edge-to-edge. Although the edges of the prints are missing by the binding, and the album suffered worm damage, the colour condition of this set is remarkable. Being away from lights, the prints here maintained their vivid colours. For the first time the prints are displayed publicly and individually at The Japan Foundation, Toronto after going through conservation procedures such as separation of the pages, cleaning, and repair.

In addition to over twenty original pieces from the ROM in each period, we have reproductions, which some people rather call re-conceived prints. These non-originals are not offset prints from photography, but are re-carved and hand-printed in the traditional method based on historical research.

Through these prints we are examining Hiroshige’s final years, which is characterized by the use of tall portrait layout in landscape paintings. Linear perspectives and the expression of depth and distance are the keys to unfold the visual wealth of Hiroshige’s late pieces. A masterpiece of this period, consisting of a trio of triptychs known as Snow, Moon, and Flower (1857) is on display, along with pieces from the series kown as Famous Views of the Sixty-odd Provinces (1853–56).

In comparison with these other pieces from Hioroshige’s late period the special characteristics of the Edo Hyaku series become more evident. Hiroshige’s compassion and nostalgic affection for his own home town Edo, now known as Tokyo, is evident in the Edo Hyaku print series. Some researchers point out that the whole project of the publication of Edo Hyaku was a disaster relief effort for the Ansei Great Earthquake in 1855. Hiroshige’s beloved Edo was awfully almost completely destroyed, and the lives of many citizens were lost. The glances of Hiroshige we can feel in Edo Hyaku are so gentle, intimate, comforting, and yet noble and proud.


Admission: FREE

Gallery Hours: Hourly timeslots starting at 11:30 AM, 12:30 PM, 1:30PM, 2:30 PM, and 3:30 PM.

Due to COVID-19 precautions, we are limiting visitation to 5 hourly timeslots per day. In order to maintain social distancing, we are limiting the number of visitors to 20 in each timeslot. 

Monday CLOSED  
Tuesday OPEN  
Wednesday CLOSED  
Thursday OPEN  
Friday CLOSED  
Saturday OPEN *select dates only: Sept 10, 24 ; Oct 15, 29 ; Nov 5, 19 ; Dec 3, 17
Sunday CLOSED  

Book Your Visit Here


The Japan Foundation, Toronto 2 Bloor Street East Hudson’s Bay Centre, 3rd floor (above Royal Bank of Canada) www.jftor.org 416.966.1600 x 229